Exhibitions

>65 Images consisted of 65 images, the majority of which were photographs.

Two pieces were twig sculptures of Pythagorean Spirals that the viewer could look through to create their own images.

Hence, the viewer made the exhibition “more than 65 Images”.

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The sculpture accepted for the Cley exhibition in 2019 was a three-dimensional representation of Sierpinski’s Gasket. The theme of the exhibiton was “Borderline” and the sculpture commemorated the borderline that was supposed to take place between war and peace on 11th November 1918. In fact the panels showed that battles between the combatatnts continued after the Armistice was signed. In the same way that the Gasket has self-similarity, that is, each section is a repetion of itself on a larger or smaller scale, so the panels showed that the War continued after the Armistice was signed, on a larger or smaller scale. So, like the bamboo structure, the Armistice was not as solid as it appeared to be.